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Styx – The Mission Album Review

By: on June 16, 2017 in Album Review, Styx, Uncategorized | No Comments

I know I usually do much more serious posts, but anyone who has seen me present may have picked up on the fact that Styx is one of my favorite bands with the way I’ve named some servers, WSFCs, FCIs, and AGs in demos. I have a long history with the band … ’nuff said.

Music is a big part of what I do both personally and professionally. I figured it’d be fun to do a review of the new Styx album The Mission that was released today. I’ve had it for a few days (thank you – you know who you are), so I’ve had a chance to digest it. The Mission is the first Styx album of all original tunes since 2003’s Cyclorama, which is good but uneven effort. If you know Styx at all, you may be saying “But they’ve released …” – yes they have. I’m discounting all live albums, compilations, and even the covers album. Sure, one of those albums had a few new cuts but they were bad so let’s not speak of them *cough* “Just Be” *cough*.

The Music

Many bands have had what have been billed as “return to form” albums – Aerosmith has had a million of those since the 90s (spoiler alert: none were a return to 70s form Aerosmith). The Mission has basically been billed as the return to 70s form for Styx, and while not totally that, it is closer to the glory years than Cyclorama ever was. It’s a short album by modern standards – clocking in at just over 42 minutes.

The Mission is partially the brainchild of Tommy Shaw and producer Will Evankovich, who is the third man in Shaw Blades’ live show and has worked with Tommy on various other projects including his orchestra show last year in Cleveland (which I also attended). While it may be driven by those two, it’s clear the whole band made it a Styx album and it’s not just a Tommy Shaw solo project featuring Styx-as-backing-band album.

“Gone Gone Gone” is a throwback to the early Wooden Nickel days of Styx, and is almost a bit of a cross between “Southern Woman” (compare the riffs) and “Rock and Roll Feeling”. “Hundred Million Miles From Home” is a fun song, which evokes some Eagles-esque influences especially in the guitar playing. It also features original bass player Chuck Panozzo, one of my bass influences. It has a bounce that makes it feel more like classic Styx than anything else on the album. Speaking of bass playing, Ricky Phillips does a great job (probably my favorite on the album being “Trouble At The Big Show”). “Locomotive” sounds more like Wish You Were Here-era Floyd than Styx, but that’s not a bad thing. “Radio Silence” has echoes of the Grand Illusion classic “Man In The Wilderness”, is one of the strongest songs on The Mission, and is very clearly a Styx tune.

There’s some nice odd meter stuff on the album such as “Time May Bend” and “The Red Storm”. Todd Sucherman is a beast on drums. Lawrence Gowan’s piano playing on songs like “Ten Thousand Ways” and “Khedive”, which also features some nice nods to Queen, is good. There’s even a nod to the Who on “The Outpost” right around 2:33. I’m glad they used what appears to be a vintage Oberheim (OB-X? OB-XA? OB-8?) along with other analog synths on songs like “The Outpost” which gives many songs that classic Styx keyboard sound (from Grand Illusion on, the Oberheim is closely associated with Styx and former member Dennis DeYoung).

The Mission is not without its flaws to my ears. The effect on Tommy’s voice at the end “Overture” reminds me of the voice effect used to introduce the Main Street Electrical Parade at Disney (that’s not a good thing; it’s one of my favorite Disney things but jarring here). While “Hundred Million Miles” is currently my favorite song on the album, the weird effect used on Tommy’s vocals during the verses seems unnecessary. Since they were going the old school way, having some touches of Taurus pedals would have been nice, too, at points.

What I’m not completely buying into is the concept album aspect of The Mission. For a band that went kicking and screaming into doing a concept album like Kilroy Was Here (and had two loose concept albums prior to that – Grand Illusion and Paradise Theater), the fact they’d embrace one now is baffling. Apparently it’s just as hard to write good songs about going to space as it is about robots and censorship. Many of the songs on The Mission stand on their own (and may become concert staples, such as “Gone Gone Gone”). Others do not work out of context (“Mission to Mars”, which if I’m going to be honest has some pretty bad lyrics and is probably my least favorite song followed by “The Greater Good” which has good vocals and musicianship, but the song is just limp for me). That said, the whole is greater than the individual parts. I don’t feel myself wanting to skip and jump around to different tracks.

The Sonics

Anyone who knows me knows I care about sound quality. Much has been made of the fact that The Mission was tracked to (analog) tape. That doesn’t mean anything if it’s engineered, mixed, and mastered poorly. I’m happy to report that the album sounds very good. It is not brickwalled (but some may still say TOO LOUD), and has benefits from starting out all analog. The Mission breathes more than a lot of albums I’ve heard in the past few years. Drums and bass have a sound that you cannot totally get from an all digital recording. The stereo mix has a nice soundstage, nice and wide, with the instruments all having great placement. While it has touches and nods to the classic Styx sound (such as the way the harmonies are mixed), it’s still a modern mix to me but has a vintage vibe that I dig.

For folks like me, I’m happy to see it’s available in high resolution at 88.2/24 from places like Quobuz, ProStudioMasters, and HDTracks. Comparing the CD quality (44.1/16 non-MP3 thank you very much) to the hi-rez, the hi-rez is clearly the winner. There’s more depth and air than the CD; it sounds much more natural and pleasing.  Having listened to the CD-quality tracks for a few days, I hear the difference immediately. If you’re into such things as I am, I’d recommend the hi-rez over the CD. I am curious why they chose 88.2/24 versus 96/24 or 192/24 given they had an analog starting point. No matter, it sounds good. I don’t like vinyl, so I have not heard it nor do I plan on buying it. Having been recorded to analog, it should sound good since it should be analog all the way through. If vinyl is your thing, the LP isn’t terribly expensive.

My only really major disappointment is I have not been able to hear the 5.1 surround mix that was completed. I think it is a huge missed opportunity not to release it as the same time as the regular album or as part of a deluxe package which had the CD (or LP) and that. It is supposedly being released later this year later on Blu-ray (and maybe DVD). I hope it is not shelved.

The Inevitable Comparison

Being a Styx nerd, the question will come up for some: “Is The Mission better than Dennis DeYoung’s 2007 album One Hundred Years from Now?” (and then you could ask … which version of that album – the original Canadian or the later US version which had slightly different tracks). DDY didn’t make a concept album, so doing a straight 1:1 comparison is not easy. Truth: I like both The Mission and One Hundred Years From Now. The fact we have two solid studio efforts that do not suck is a happy problem to have. Both tip their caps to the classic Styx sound, but are also modern at the same time.

However, there is no song on The Mission that is better than “Crossing the Rubicon” on One Hundred Years From Now, arguably the most “classic Styx”-like song (and probably the best track) released on any Styx-related studio album since the 80s. There’s also nothing on either album that’s going to convince you to like and/or hate Styx or DDY more or less if you’re predisposed to one side or the other. For example, if you do not like DDY’s more mid-tempo or ballad-y things, songs like “I Believe In You” or “There Was A Time” are not going to change your mind; also don’t believe the hype, Dennis can still rock with songs like “Private Jones”.

The Verdict

The bottom line: The Mission is a strong showing from Styx and a solid 7/10 for me.  It’s a fun listen end-to-end, and with its short running time, goes by quickly. Placing it in the list of “where does The Mission sit in the pantheon of Styx studio albums?”, it’d be somewhere in the middle of the pack. If it is the last studio effort we see from Styx, this is a worthy final Mission from the band.

Supporting Our Troops – Win a Seat in the Upcoming Classes In Chicago

By: on June 14, 2017 in AlwaysOn, Availability Groups, High Availability, SQLHAU, Training, Windows Server Failover Cluster | No Comments

Nearly every year since we’ve been offering public training, we’ve given away one seat in a class for a good cause or to people who would not ordinarily be able to attend. As an example, last year was WIT. Max and I really believe that giving back is important. Sure, we’re taking money out of our own pockets but it’s the right thing to do. SQLHA really does put our proverbial money where our mouth is; we do not take giving back lightly.
We’re happy to announce that this year, we’ll be giving away one seat for each of the upcoming Chicago classes: SQL Server Availability Fundamentals on August 7 and the Always On Availability Groups Boot Camp from August 8 – 10.  This year, we are also focusing on a specific group like last year with WIT. This time around it’s active duty or retired military members (gender does NOT matter). As long as you did or currently do serve in a branch of the military, you are eligible.

Good luck if you enter!

The Rules

  1. You have to be able to prove that you are or were in one of the branches of the military.
  2. Send an e-mail to sales at sqlha dot com with the subject Supporting Our Troops and tell us which class you are interested (it’s possible for one person to get both, but if you put both, specify a preference) along with why you think you deserve the seat and how it would impact you. You really have to demonstrate that you truly would benefit from attending.

    You do not have to send a tome, but one or two lines won’t cut it either. The grammar police won’t hold it against you if your e-mail is not up to snuff; we prefer heartfelt over perfect. Having said that, see #10 of The Fine Print. There is one exception.

  3. Entries must be in by Friday, June 30, at 5PM Eastern. A winner will be chosen and notified by Wednesday, July 5.
  4. Do not make or send a video, write a Word document, etc.; that will disqualify you. This should be e-mail only.

The Fine Print

  1. One entry per person.
  2. Winners will not be eligible for a free seat in a future class and are ineligible for winning any other free SQLHA LLC giveaway for 12 months after winning the seat in the class (excluding any giveaways in the class). If you cannot attend the class where you are chosen as a winner, you forfeit the prize.
  3. Do not enter if you cannot attend; it is not fair to those who can and a waste of everyone’s time.
  4. You (or your company) are responsible for all travel and expenses including, but not limited to: airfare, taxis, food, hotel, and so on. If you cannot meet this obligation for the class you are thinking of entering, please save it for one you can. We’re just providing the class, not the whole shebang.
  5. Entries without the proper subject will be disqualified. Sorry.
  6. While we do not have delicate sensibilities, keep your entries clean.
  7. You are responsible for any taxes you may need to pay as a result of winning this contest.
  8. You must be eligible to win. For example, some who work in certain jobs or roles would be ineligible. Know if you can before you enter. I apologize in advance if what you do rules you out, but we don’t want to waste anyone’s time or cause issues for you OR us.
  9. All entries must be in English.
  10. While we understand that writing is not everyone’s forte, anyone who uses text speak such as ur will be disqualified as well. We have to have some standards, you know.

Not in the military?

We have a few seats left in each class, so don’t miss your opportunity. Use the discount code HOORA20 to get 20% off (which is bigger than the current built-in discount) before you miss out.

Why SQLHA for your training needs?

Show your boss this. We offer the best in person training which includes labs. Keeping our class sizes smaller, our classes have great interaction. Between the labs and being in the room with one of the world’s recognized experts for availability on SQL Server, it doesn’t get much better.

Full DTC Support for AGs Now in SQL Server 2017

By: on June 7, 2017 in Always On, Availability Groups, Distributed Transaction Coordinator, DTC, SQL Server 2017 | No Comments

SQL Server 2016 introduced support for the Microsoft Distributed Transaction Coordinator (DTC, or MS DTC) and Always On availability groups (click here for more info). However, what is in SQL Server 2016 is only half of the story. For a cross database transaction, it can happen either in the same instance of SQL Server (and therefore, as databases participating in a single AG), or to another database in another instance of SQL Server or some other data source like Oracle. The functionality in SQL Server 2016 covers the latter. That means that if you have two databases in an SQL Serer 2016 AG, you still have the old way – meaning, distributed transactions won’t work properly.

This has now been fixed as of SQL Server 2017 CTP 2.0. Somehow I missed this line in the release notes for CTP 2.0:

DTC support for Always On Availability Groups for all cross database transactions among databases that are part of the availability group, including for databases that are part of same instance.

As far as I know, this will not be backported to SQL Server 2016, but if you need full DTC support with AGs, it’s now there in SQL Server 2017 – a good reason to consider looking at it now. Want help with planning a SQL Server 2017 deployment on Windows Server or Linux? Contact us.

 

PASS Summit 2017, SQL Saturday LA, and SQLHA’s Memorial Day Training Sale

By: on May 25, 2017 in PASS Summit 2017, SQLHAU, Training | No Comments

This year is going by fast. I can’t believe Memorial Day here in the US is this weekend and it’ll be June in a few days.

Some of you may have noticed, but PASS changed how they were doing submissions for PASS Summit this year. Usually the call for speakers went out around March and people were picked by June/July. I always felt March was a bit early since so much can change. One of the bigger changes was that PASS themselves were going to choose the precon speakers – you could not submit abstracts. As someone who has had a precon quite a bit over the past ten years, I never take it for granted when I am selected, and if I am not, I don’t complain. That’s the way the cookie crumbles. I am thrilled that PASS did select me as one of the lucky ones who will be doing a precon at PASS Summit 2017. No, I cannot say just yet what it will be – you’ll find out soon enough – but as has been the case for the past few years, there will be labs (I’m a masochist for work). Last year was sold out so if you want to get in on my precon, I suggest you sign up early.

This means I’ll also have a regular session during PASS Summit itself, and will hopefully be judging Speaker Idol again assuming it’s happening. I bring my best Simon Cowell impression to the table. SQLHA, the company Max and I run, will also once again be sharing a booth in the exhibitor’s hall with Denny Cherry & Associates, so come say hello.

I’ve got some other stuff in the pipeline that I can’t talk about just yet for later this year – it’s going to be a busy fall. I will be speaking at SQL Saturday in Los Angeles in a few weeks and am looking forward to that. Hope to see you there.

Memorial Day Training Sale

SQLHA has some of the best training around. This year we have three public classes in the US scheduled for the second half of this year:

To “celebrate” Memorial Day weekend, we’re offering a sale on all of our training classes which is bigger than the current discounts offered. Don’t miss out!

The best part? There’s nothing you have to do! When you go to register, the discounts are already there. Just select what you want and that’s it. No codes to remember, no secret handshake, nothing special you need to sign up to get it (but feel free to sign up for our newsletter …) – just use it. What are you waiting for?

 

 

 

Big TempDB Improvement In SQL Server 2017 CTP 2.0 Setup

By: on April 19, 2017 in Setup, SQL Server 2017, TempDB | 1 Comment

SQL Server 2016 is the first version of SQL Server which allows you to configure multiple files during Setup. That’s good, but it had a very severe limitation: the data files could only be created with a size up to 1GB (1024 MB). For anyone sizing TempDB properly, clearly you’re going to have sizes that are greater than 1GB, so you still had to configure TempDB manually even in SQL Server 2016. I brought this up to Microsoft in early March because I have been working with a customer who was trying to configure TempDB to their standards using SQL Server 2016, but couldn’t via Setup due to this limitation. It was a great discussion with quite a few folks (including fellow MVPs), and being honest, I didn’t think anything would be done about it in the immediate future. I was wrong.

As of SQL Server 2017 CTP 2.0, this limitation no longer exists. Setup now allows the data files you create to be up to 256GB.

Creating a 256GB data file for TempDB

Microsoft listens, folks. This combined with the AG improvements I blogged about earlier in CTP 2.0 make it a welcome release.

Thinking about SQL Server 2017 or just looking to get more up to date than you are now? Contact us today to help you get started down the path …